Guide to the primary 8-string tunings
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Ethan Shaw
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Guide to the primary 8-string tunings
If any of my steel guitar friends are cooped-up and bored today, this might be interesting to you. I tried to be objective about it , but steel guitarists get really worked up about anything tuning related, so apologies in advance if I offended anyone, haha! https://www.youtube.com/watch?v=4qSjW9Fe3uk
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Will Houston
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Re: Guide to the primary 8-string tunings
Good one Ethan, yes tuning info can be tricky business, well done 
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Nic Neufeld
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Re: Guide to the primary 8-string tunings
Good intro to these tunings (and nice backbreaker of a quad!)!
I've dabbled with E13 (a couple versions) but always find it feels foreign to actually play unless you are just hitting funky chords. The problem is me ultimately, just not familiar enough with it.
C13 is so very-nearly C6 that it almost isn't its own tuning, but that's a useful variation of C6, setting the 7th string to Bb. It's basically still C6, you just have to know when to mute/skip that string if you don't want the dominant 7 in there.
On that statement by Billy Hew Len, I bet you are right that JB's use of C6 made the next generation of Hawaiian steelers move more in that direction than A6, but JB didn't get there til 1970 or so, and in the 50s and 60s, some of the biggest steel guitarists there were probably primarily C6 players...the Hawaii Calls guys like Jules Ah See and Barney Isaacs mostly recorded / performed in C6/C13 (with B11 and other tunings sprinkled in). But if you look at players in the islands nowadays...many of them were taught by Jerry or taught by somebody taught by Jerry (eg Alan Akaka) so it makes sense that C6 ended up the dominant strain. BHL was an A6er though (I still would love to know exactly how he had his Fender 400 set up).
If anyone wants another deep dive, I enjoyed this demo by Alan, probably posted here before. He walks through a bunch of tunings without changing his guitar... https://www.youtube.com/watch?v=2G8qAmotF_c
I've dabbled with E13 (a couple versions) but always find it feels foreign to actually play unless you are just hitting funky chords. The problem is me ultimately, just not familiar enough with it.
C13 is so very-nearly C6 that it almost isn't its own tuning, but that's a useful variation of C6, setting the 7th string to Bb. It's basically still C6, you just have to know when to mute/skip that string if you don't want the dominant 7 in there.
On that statement by Billy Hew Len, I bet you are right that JB's use of C6 made the next generation of Hawaiian steelers move more in that direction than A6, but JB didn't get there til 1970 or so, and in the 50s and 60s, some of the biggest steel guitarists there were probably primarily C6 players...the Hawaii Calls guys like Jules Ah See and Barney Isaacs mostly recorded / performed in C6/C13 (with B11 and other tunings sprinkled in). But if you look at players in the islands nowadays...many of them were taught by Jerry or taught by somebody taught by Jerry (eg Alan Akaka) so it makes sense that C6 ended up the dominant strain. BHL was an A6er though (I still would love to know exactly how he had his Fender 400 set up).
If anyone wants another deep dive, I enjoyed this demo by Alan, probably posted here before. He walks through a bunch of tunings without changing his guitar... https://www.youtube.com/watch?v=2G8qAmotF_c
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Jim Newberry
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Re: Guide to the primary 8-string tunings
I was there for that! It was a great presentation.Nic Neufeld wrote: 25 Jan 2026 12:23 pm
If anyone wants another deep dive, I enjoyed this demo by Alan, probably posted here before. He walks through a bunch of tunings without changing his guitar... https://www.youtube.com/watch?v=2G8qAmotF_c
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Ethan Shaw
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Re: Guide to the primary 8-string tunings
I appreciate y'all watching and glad you enjoyed it! Nic, I've thought about that timeline also, and that's a good point about JB. I heard the recording where BHL said that, and thought it was pretty interesting. But yeah, Jules Ah See and Barney Isaacs were killing it on C6. I wonder if they got it from listening to JB. (Listening to the Tapa room tapes, it sounds like Jules was also a Joaquin fan.) I'm definitely more in the world of Western Swing than Hawaiian music (although I love it!), so I'll defer to all of y'all who know that world better. I'd love to know your theories of how the Hawaiians started playing C6. There are so many approaches to making the music we love, and that's one of the things I love about the steel guitar! My original video had several more tunings and delved into the theory behind all of them, but it was almost 45 minutes long, haha! I decided to try to whittle it down to the most common ones. That Alan Akaka video is great and pretty thorough!
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Tim Toberer
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Re: Guide to the primary 8-string tunings
Great overview Ethan. For plain steel I am an A6 advocate as well. I am gonna try out that B11/F#m6 tuning (even though there is no B!) A6 and C6 are great for almost anything, as you said and also agree if you are playing jazz, at some point you probably will want to add a dominant tuning.
Last edited by Tim Toberer on 28 Jan 2026 5:37 am, edited 1 time in total.
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Twayn Williams
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Re: Guide to the primary 8-string tunings
Thanks for the vid! I watched it a few days ago while doomscrolling on youtube.
I'm a 6-string E13 player for swing. But I recently picked up a 2nd Rick Panda and put it into B11 so I could play Sand. But for improvising, I'm having a hard time trying to adjust to a stack of 3rds and no major 2nds. I wouldn't mind being able to get around in a 4-string A6 (i.e. the top 4 strings of B11) but it's been like swimming through concrete ::sigh::
I'm a 6-string E13 player for swing. But I recently picked up a 2nd Rick Panda and put it into B11 so I could play Sand. But for improvising, I'm having a hard time trying to adjust to a stack of 3rds and no major 2nds. I wouldn't mind being able to get around in a 4-string A6 (i.e. the top 4 strings of B11) but it's been like swimming through concrete ::sigh::
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Ethan Shaw
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Re: Guide to the primary 8-string tunings
Thanks y'all! Yeah, there are pros and cons to every tuning. B11 would be not ideal for a primary tuning, but I do think it is worth trying out and seeing what you can do with it.